{"id":2243,"date":"2021-03-11T08:47:55","date_gmt":"2021-03-11T07:47:55","guid":{"rendered":"https:\/\/www.amatlab.com\/streaming\/"},"modified":"2026-02-03T13:35:52","modified_gmt":"2026-02-03T12:35:52","slug":"shows","status":"publish","type":"page","link":"https:\/\/www.amatlab.com\/en\/shows\/","title":{"rendered":"Shows"},"content":{"rendered":"\t\t
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Rossini Renaissance<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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December 1, 2, 3, 2025 – Montmartre, Parigi<\/h5>

La Cantatina<\/em> (1832), a completely unpublished work by Gioachino Rossini<\/strong>, performed for the first time in Paris in an intimate and private setting. The event recreated the atmosphere of 19th-century Parisian salons\u2014a project produced and realized by La Compagnia della Piuma<\/strong> of AMAT<\/strong>, with the support of the MIC \u2013 Italian Ministry of Culture<\/strong>.<\/p>

The performances took place over three evenings at Studio L\u2019Accord Parfait<\/strong>, offering an intimate experience of great historical and musical value.<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/article><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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October 14, 2025 –\u00a0 Teatro dei Rozzi<\/h5>

The musical adaptation of a novella by Boccaccio opens the \u201cExtra Sipario\u201d<\/em> programme of the Teatri di Siena, celebrating the 650th anniversary of the death of Giovanni Boccaccio<\/strong>.<\/p>

\u201cCalandrino and the Magic Stone\u201d<\/em> sheds light on the world of young people\u2014both as an audience and as young artists\u2014a defining theme of the \u201cExtra Sipario\u201d<\/em> programme, which is dedicated to new generations and exclusively supported by the Fondazione Monte dei Paschi di Siena<\/strong>. Once again this year, the collaboration between AMAT<\/strong> and the vocal class of the \u201cRinaldo Franci\u201d Conservatory<\/strong> is renewed, thanks to Professor Laura Polverelli<\/strong>. The staging is by actor and director Sergio Basile<\/strong>, fresh from the success of Puccini\u2019s \u201cSuor Angelica\u201d<\/em> last season, also produced by AMAT.<\/p>

\u201cCalandrino and the Magic Stone\u201d<\/em> is a musical novella suitable for both adults and children; a performance capable of bringing together, within a single theatrical work, the various artistic expressions of the stage: literature, theatre, music, and dance. \u201cHere Boccaccio makes the mortal immortal, because to narrate,\u201d explains director Sergio Basile, \u201cmeans to remember, to fix something in memory. Boccaccio teaches us that human beings cannot do without storytelling. And theatre is the place par excellence where this happens. Outside of storytelling there is nothingness. Storytelling is an antidote to death. To tell stories, therefore, is to avoid dying.\u201d<\/p>

The story recounts the adventures of Calandrino, a foolish and presumptuous Florentine painter who, because of his credulity, becomes the target of three cunning and petty characters\u2014whom today we might call \u201cbullies.\u201d Yet the true protagonist of the performance, around which everything revolves, is the act of storytelling<\/em> itself. The staging is anything but predictable and strikingly contemporary: against the backdrop of the Black Death of 1348, ten young people flee to the countryside and begin telling each other stories. The libretto, dramaturgy, and performance are by Sergio Basile<\/strong>; the music is by Concetta Anastasi<\/strong>; the operatic cast and orchestra are by AMAT<\/strong>; the choreography is by the Balletto di Siena<\/strong>; and the set design is by the Accademia di Belle Arti di Firenze<\/strong>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Siena celebrates Ettore Bastianini: the \u201cViva Bastianini!\u201d Festival is born<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Teatro dei Rozzi, Chiesa del Carmine – Siena<\/h5>

Siena pays tribute to the great Sienese baritone Ettore Bastianini with the launch of the \u201cViva Bastianini! Festival,\u201d<\/strong> a new cultural project promoted by AMAT<\/strong> in collaboration with the Municipality of Siena<\/strong>, and supported by the Italian Ministry of Culture<\/strong> and the Region of Tuscany<\/strong>.<\/p>

The project was strongly envisioned by the Director of the Teatri di Siena, Vincenzo Bocciarelli<\/strong>, with the aim of preserving the memory of Ettore Bastianini and his artistic legacy, creating an annual event of international appeal.<\/p>

The initiative is carried out in collaboration with the Unione Corale Senese \u201cEttore Bastianini,\u201d<\/strong> the Contrada della Pantera<\/strong>, and with the consultancy of the newly established \u201cViva Bastianini!\u201d Committee<\/strong>. Many citizens and Bastianini scholars have also rallied to contribute to the project; among them, in addition to Francesca Lazzeroni of AMAT, are Andrea Tiribocchi, Klara Mitsova, Marcello Vanni, Luisella Franchini, and Valerio Lopane.<\/p>

The Festival also aims to involve the city\u2019s main musical institutions in a shared journey, open to proposals and a wide range of initiatives.<\/p>

The 2025 Programme<\/h3>

The programme begins on September 24<\/strong>, the anniversary of the artist\u2019s birth, with a Requiem Mass<\/strong> at the Church of the Carmine<\/strong>, organized by the Contrada della Pantera with the participation of the Unione Corale Senese \u201cEttore Bastianini.\u201d This is followed by the Verdi recital \u201cHappy Birthday, Ettore\u201d<\/strong> at the Teatro dei Rozzi<\/strong>, featuring baritone Valentino Salvini<\/strong> and pianist Cristiano Paluan<\/strong>.<\/p>

On September 30<\/strong>, \u201cL\u2019Ultimo Canto\u201d<\/em> (The Last Song<\/em>) arrives\u2014 a one-act play by Chiara Alivernini<\/strong> and Swan Bergman<\/strong>, the first theatrical production dedicated to Bastianini, written with historical consultancy by Luisella Franchini<\/strong>. On stage is Vincenzo Bocciarelli<\/strong>, Director of the Teatri di Siena, who also signs the direction with consultancy by Marcello Vanni<\/strong>, alongside Olimpia Marmoross<\/strong>, baritone Claudio Mugnaini<\/strong>, and pianist Guglielmo Pianigiani<\/strong>.<\/p>

The 2025 programme concluded on October 26<\/strong> with the lyrical-choral concert \u201cO Sweetness, O Memories\u201d<\/strong> at the Church of the Carmine<\/strong>, featuring the Unione Corale Senese \u201cEttore Bastianini\u201d<\/strong> together with the Corale Marietta Piccolomini<\/strong>, soprano Nila Masala<\/strong>, and baritone Massimo Modoni<\/strong>. Guglielmo Pianigiani<\/strong> at the piano and Francesca Lazzeroni<\/strong> conducting.<\/p>

Looking to the Future<\/h3>

Held annually, the Festival aims to become an international point of reference through the establishment of a lyric competition for young voices<\/strong>, new operatic and documentary productions, and other projects. With the \u201cViva Bastianini! Festival,\u201d<\/strong> Siena celebrates one of its most illustrious artists and reaffirms its role as a city of music and opera.<\/p><\/div><\/div><\/div><\/div>

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SEMI DI PACE<\/em>
Musical event with the Gen Rosso International Performing Arts Group<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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October 4, 2025 \u2013 Basilica di San Francesco<\/h5>

Turning sixty next year, a multicultural band that has travelled across all continents carrying a message of unity and fraternity through the universal language of music: the Gen Rosso International Performing Arts Group<\/strong> returns to Siena after more than half a century. \u201cSeeds of Peace\u201d<\/em>: there could be no more meaningful title for the initiative, on the day and in the Basilica of the saint of peace.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Histoire du Soldat
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August 25, 2025 \u2013 Piazza San Francesco<\/h5>

AMAT arrives in Siena for the final event of the 2025 summer season, presenting L\u2019Histoire du Soldat<\/em> by I. Stravinsky in Piazza San Francesco<\/strong>, as part of Sboccia l\u2019estate<\/em>, the season of the Teatri di Siena directed by Vincenzo Bocciarelli, who also stars in the performance.<\/p>

Considered \u201ca small opera without singing,\u201d L\u2019Histoire<\/em> places the orchestra on stage, where it becomes an \u201cactor\u201d that engages in direct dialogue with the characters. A timeless story that raises many questions and invites reflection, its modern relevance lies in the Faustian theme of deception, which lends itself to compelling contemporary interpretations\u2014fully captured by director Paola Benocci.<\/p>

Alongside Vincenzo Bocciarelli in the role of Le Diable<\/strong>, the cast includes Enrico Costantini (the Soldier), Nicole Perfigli (the Dancer), and Paola Benocci (narrating voice and director).<\/p>

AMAT\u2019s small orchestra, conducted by Concetta Anastasi, is made up of Alberto Bologni, Barbara Betti, Tazio Borgognoni, Stefano Rocchi, Elisa Valgimigli, Fausto Antonini, and Camilla Cantara.<\/p>

The choreographies by the Balletto di Siena<\/strong>, directed by Marco Batti, complete and enrich this production, which AMAT has been presenting since 2023.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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SIENA VOX UNA: CARMINA BURANA<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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July 20, 2025 \u2013 Piazza del Campo<\/h5>

Summer blossoms as Sboccia l\u2019estate<\/em>, the summer season of the Teatri di Siena, directed by Vincenzo Bocciarelli, brings Carmina Burana<\/em> to the stage for the first time in Piazza del Campo<\/strong>, a unique opportunity to hear an original version of Carl Orff\u2019s work.<\/p>

The event, with free admission, is promoted by the Unione Corale Senese \u201cEttore Bastianini\u201d<\/strong> on the occasion of the ninetieth anniversary of its founding and is staged thanks to the synergy with the Municipality of Siena, with production and artistic collaboration by AMAT<\/strong>.<\/p>

The event is part of a broader project that began in November 2024, when the Unione Corale invited all the vocal ensembles of the Province to form a large choir, SIENA VOX UNA<\/strong>. It was an experience that involved intense activity, both musical and organizational, coordinated by Francesca Lazzeroni with the collaboration of Claudio Mugnaini. The months of shared study were also fundamental in strengthening the choral ensemble. \u201cThe rehearsal process that led us to the final evening is as important as the concert itself,\u201d comments Francesca Lazzeroni. \u201cIt is a musical and human experience that places at its center the beauty of creating something meaningful together, representing our city.\u201d<\/p>

Together with the Unione Corale Senese, the grand choir includes the \u201cClara Armonia\u201d Choir<\/strong> conducted by Tanja Kustrin; some singers from the \u201cMarietta Piccolomini\u201d Choral Society<\/strong>, conducted by Guglielmo Pianigiani; a delegation from the \u201cIntonati e Stonati\u201d 2.0 Choir<\/strong>, conducted by Paolo Gragnoli; part of the \u201cSiena Canta\u201d Choir<\/strong>, conducted by Valentina Guarnieri; some singers from AMAT\u2019s \u00c8urema Vocal Ensemble<\/strong>, conducted by Simone Pugliese; several students from the Siena Music High School; the HB White Voices Choir<\/strong> conducted by Antonella Scivoletto and coordinated by Ivan Morelli; and many other singers of all ages who enthusiastically joined the project.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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December 11, 9:00 PM, Teatro dei Rinnovati<\/h5>

Opera in one act by Giacomo Puccini. In the year marking the 100th anniversary of Puccini’s death, we present, following Gianni Schicchi<\/em> in 2022, a dramatic opera that explores the theme of femininity from various perspectives.
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November 18-19, Santa Maria della Scala<\/h5>

Performance for vocal ensemble a cappella and narrator. Music by Concetta Anastasi, Francesca Lazzeroni, and Simone Pugliese.
The lives and works of Dante and Galileo Galilei intertwine in a narrative and musical journey dedicated to Secondary Higher Education Institutes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Storia del Soldato<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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November 14, Teatro dei Rozzi<\/h5>

A story to play, recite, and dance; music by I. Stravinsky, directed by Paola Benocci for 3 actors, a dancer, and a chamber orchestra.
A musical story based on Histoire du Soldat<\/em>.<\/p>

With the special participation of the Artistic Director of the Teatri di Siena, Vincenzo Bocciarelli.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Il Principe Canarino<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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October 13, 2024, Teatro dei Rozzi<\/h5>

Musical fairy tale. Text and dramaturgy by Paola Benocci, music by Concetta Anastasi, inspired by the Fiabe Italiane<\/em> collection by Italo Calvino. Original, unpublished music. Workshops for schools were held at the Santa Maria della Scala Museum in morning sessions, with preparation for listening to the musical fairy tale and direct involvement of the students.<\/p>

Countless entertained and engaged children made our performance unforgettable; starting with the children and their involvement in the theater is one of the main goals of our work.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Il Carnevale degli Animali<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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August 25, 2024, Fonti di Pescaia<\/h5>

Staged at the Fonti di Pescaia as part of Sboccia l\u2019estate, the summer festival of Teatri di Siena<\/strong>\u00a0directed by Vincenzo Bocciarelli.
The Unconventional Orchestra of AMAT was directed by Maestro Concetta Anastasi<\/strong> and the choreography of the Balletto di Siena curated by Marco Batti.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Pierino e il Lupo<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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August 25, 2024, Fonti di Pescaia<\/h5>

With the participation of Vincenzo Bocciarelli<\/strong>, artistic director of the Siena Theaters.<\/p>

Staged at the Fonti di Pescaia within Sboccia l\u2019estate, the summer festival of Teatri di Siena directed by Vincenzo Bocciarelli. The Unconventional Orchestra of AMAT was conducted by Maestro Concetta Anastasi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The New York tourn\u00e9e
of the Unconventional Singers\u00a0<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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26 luglio 2024, New York<\/h5>

La tourn\u00e9e newyorkese degli Unconventional Singers di AMAT.
Il Lilia Bloom Award 2024 ha dato inizio alla serie di concerti che hanno visto il gruppo esibirsi al The Players Club e in una serie di concerti privati a Long Island.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Festival Tasting Notes ’23\u00a0<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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August 4th, Montalcino<\/h5>

\u00a0<\/p>

Pop-folk concert at Brunello Temple<\/p>

Starts at 7 p.m.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Musica Ritrovata<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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10 september 2023, Siena<\/h5>

Concert celebrating the European Day of Jewish Culture<\/p>

Schedule of the event<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Corazon Malherido<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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July 18th, Rocca di Montestaffoli<\/h5>
\u00a0<\/div>

The Unconventional Singers at the San Gimignano International Festival 2023<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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RED Montalcino<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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July 15th, Fortezza di Montalcino<\/h5>

Unconventional Singers<\/p>

Addabbo Organ Trio\u00a0<\/p>

A Tra Poco Band<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Candelight Concert\u00a0<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tempio del Brunello, Montalcino<\/h5>

Candelight concert program<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Festival tasting Notes ’23<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pienza, Siena<\/h5>

Spritz & Songs with the Unconventional Singers<\/p>

Concert program<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Tasting Notes ’22<\/h2>

Festival tra arte e musica<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Tempio del Brunello, Montalcino<\/h5>

For more information:\u00a0Programma di Sala<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Gianni Schicchi <\/h2><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/h5>
Teatro dei Rinnovati, Siena<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program\u00a0 \u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Die sch\u00f6ne Magelone
Synphony n.3 op55 \u201cEroica\u201d <\/h2> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/h5>
Teatro dei Rinnovati, Siena<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program\u00a0 \u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Femfestival Replay
<\/h2> <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Final concert of the Women Composer International Competition of Amat – Edition 2022<\/h4>

\u00a0<\/p>

Biblioteca delle Oblate, Florence<\/h5>

Presented by Loredana Lipperini<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Concert program\u00a0 \u00a0 \u00a0(English)<\/a><\/p>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Peter and the Wolf
The Carnival of the Animals<\/h2><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Teatro dei Rinnovati, Siena<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program\u00a0 \u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Lavori in corso<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/h5>
“young musicians at work” 2.0\u00a0<\/h5>

with students from the Alberti-Dante Institute of Florence<\/p>

Concert program\u00a0 \u00a0 (Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Musica in costruzione \n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00a0<\/h5>
“young musicians at work”\u00a0<\/h5>

with students from the Alberti-Dante Institute of Florence<\/p>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Natale con gli Unconventional Singers<\/h2>

\u00a0<\/p>

Christmas Concert<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Mostri infernali tra scienza, letteratura e musica<\/h2>

\u00a0<\/p>

The Divine Comedy’s naturalistic universe<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Femfestival Play<\/h2>

\u00a0<\/p>

Final concert of the Women Composer International Competition of Amat – Edition 2021<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Concert program of the Femfestival Play\u00a0 \u00a0(English)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Spritz & Songs 2.0<\/h2>

\u00a0<\/p>

More bubbles and lightness<\/h5>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Before Dreams<\/h2>

\u00a0<\/p>

The Unconventional and the Bedtime Concert<\/h5>

Concert program\u00a0 \u00a0 (Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Il canto della Balena<\/h2>

\u00a0<\/p>

The Unconventional Singers at the Accademia dei Fisiocritici, Siena<\/h5>

\u00a0<\/p>

Concert program\u00a0 \u00a0 (Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Waterloo, il caso e il destino<\/h2>

\u00a0<\/h5>
Short story for actor, orchestra, mezzo-soprano and drummer<\/h5>

Concert program\u00a0 \u00a0(Italian) <\/a><\/p>

Words of Victor Hugo<\/span>, Music of Nino Rota
<\/span>Narrative voice, subject and direction Sergio Basile
<\/span>Musical direction and arrangement\u00a0Concetta Anastasi
<\/span>Mezzo-soprano Francesca Lazzeroni
<\/span>Orchestra Unconventional Orchetra of Amat
<\/span>Production\u00a0Compagnia della Piuma di Amat<\/span><\/p>

\u200b<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Street Music al Parco dell’Anconella: Tre fiorentini d’una volta e una chitarra<\/h2>

\u00a0<\/p>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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La musique qui enchante<\/h2>

\u00a0<\/h5>
Harp and flute<\/h5>

Concert program\u00a0 \u00a0 (Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Spritz & Songs<\/h2>

\u00a0<\/h5>
Lightness, pop music and bubbles<\/h5>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Semplicemente un concerto<\/h2>

\u00a0<\/h5>
For the Inauguration of the Amat Lab<\/h5>

Concert program\u00a0 \u00a0 (Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The crazy quarantine<\/h2>

\u00a0<\/p>

– Paul Hindemith, Kleine Kammermusik\u00a0 op. 24 n. 2
– Josef Strauss, Brennende Liebe – Polka mazurka, op. 129
– Johann Strauss Figlio, Im Krapfenwald’l – Polka fran\u00e7aise, op. 336
– Jacques Ibert, Le Trois Pi\u00e8ces br\u00e8ves<\/p>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Vita di coppia: istruzioni per l’uso<\/h2>

\u00a0<\/h5>
Short story for guitar, transverse flute, vocal ensemble and narrative voice<\/span><\/h5>

Concert program\u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Le lacrime della chitarra<\/h2>

\u00a0<\/h5>
Short story for guitar, vocal ensemble and narrative voice\u00a0<\/h5>

Concert program\u00a0 \u00a0 \u00a0(Italian)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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“Ce LA FA RE mo”<\/h2>

\u00a0<\/p>

The New Year’s Eve concert of the Unconventional Orchestra<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Suor Angelica<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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11 dicembre ore 21.00 \u2013 Teatro dei Rinnovati<\/h5>

Opera lirica in un atto di Giacomo Puccini<\/strong>. Nell\u2019anno del centesimo anniversario della morte di Puccini abbiamo proposto, dopo il Gianni Schicchi del 2022, un\u2019opera drammatica, che vuole affrontare il tema del femminile sotto vari aspetti.
Con la regia di Sergio Basile e le tavole illustrate da Spartaco Ripa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t
<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t
<\/div>","protected":false},"excerpt":{"rendered":"

Shows Rossini Renaissance December 1, 2, 3, 2025 – Montmartre, Parigi La Cantatina (1832), a…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-2243","page","type-page","status-publish","hentry"],"yoast_head":"\nShows - AMAT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.amatlab.com\/en\/shows\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shows - AMAT\" \/>\n<meta property=\"og:description\" content=\"Shows Rossini Renaissance December 1, 2, 3, 2025 – Montmartre, Parigi La Cantatina (1832), a...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.amatlab.com\/en\/shows\/\" \/>\n<meta property=\"og:site_name\" content=\"AMAT\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-03T12:35:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.amatlab.com\/wp-content\/uploads\/2026\/02\/amat-teatro-2-scaled-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.amatlab.com\/en\/shows\/\",\"url\":\"https:\/\/www.amatlab.com\/en\/shows\/\",\"name\":\"Shows - 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